Bart came wandering along after about twenty minutes, alone. We went in and picked him up.
  ”Where’s Amy,” I asked him.
  ”Back there. We broke up.”
He didn’t seem too wrecked. “Sorry. We didn’t mean to screw up a good thing.”
  ”She’s pissed off because I left her with this guy Quincy when I went and shot those dudes. But the reason I left her with Quincy was because I wanted to make sure she was protected.”
  ”Who’s Quincy?”
   “The guy I stole this revolver from.”
  ”So where’s Amy now?”
  ”With Quincy.”
  Boone didn’t say anything, just handed him a Guinness. Black beer for black thoughts.

stayforthecredits:

For lustful eyes only, here are a couple of pics (courtesy of camera operator Andrew Bikichky) of the blacked out Panavision cameras that will be shooting Star Wars Episode VII over the summer.

The Panny’s are custom made for Star Wars and will be the production’s “A” and “B” cameras, nicknamed “Death Star” and “Millennium Falcon.” 

Mounting on the front of these bad boys will be Panavision anamorphics and they’ll be loaded up with Kodak film stock 5219, as was revealed by cinematographer Dan Mindel, ASC, BSC last summer.(via Blog | The Black and Blue)

Beat It (Demo)
Michael Jackson

As Jackson couldn’t fluently play any instruments, he would sing and beatbox out how he wanted his songs to sound by himself on tape, layering the vocals, harmonies and rhythm before having instrumentalists come in to complete the songs.

One of his engineers Robmix on how Jackson worked: “One morning MJ came in with a new song he had written overnight. We called in a guitar player, and Michael sang every note of every chord to him. “here’s the first chord first note, second note, third note. Here’s the second chord first note, second note, third note”, etc., etc. We then witnessed him giving the most heartfelt and profound vocal performance, live in the control room through an SM57. He would sing us an entire string arrangement, every part. Steve Porcaro once told me he witnessed MJ doing that with the string section in the room. Had it all in his head, harmony and everything. Not just little eight bar loop ideas. he would actually sing the entire arrangement into a micro-cassette recorder complete with stops and fills.”

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